Feb 4, 2014 0
Every now and then a fashion book comes out that piques my interest primarily for the format. I must confess I am prone to a short attention span. I love to learn but I’m not keen on great lengths of meandering theory. Without indulging in a tangent worthy of AA Gill or legendary grot reviewer Chris Nieratko, there is a reason why I studied Law and Languages at University. I am not too fond of fluff or being told that X, Y and Z’s interpretation is more relevant than Z, Y and X’s. While studying A-Level English, I fondly remember arguing more about the relevance of interpretation rather than the book at hand. I had two teachers: Mr Hill, who gave me straight A’s whilst simultaneously accusing me of truculence (a favourite word ever since) and Miss Thornett, who could barely contain her loathing for me and awarded me consistent E grades. I still remember her scrawl on one particular report: ‘Naomi is blissfully unaware of her surroundings’. I ended up with an overall E grade – I think you can guess who marked that paper. I couldn’t give enough of a shit to appeal it as I had four others that sailed me straight into Sussex. Miss Thornett (I’m assuming its still ‘Miss’?), my next book is due out in September.
For those who like their facts straight up, Amber Jane Butchart has deftly assembled the eponymously titled ‘Amber Jane Butchart’s Fashion Miscellany – An Elegant Collection Of Stories, Quotations, Tips & Trivia From The World Of Style’ (Ilex Miscellany £8.99). It is a slender yet attractive book covered in a tactile binding of peacock blue linen, embossed in gold, classical lettering. General knowledge books are hardly a new genre but taking the subject of fashion, assembling a tome that grabs the subject by both hands and turning it into a veritable font of useful and relevant knowledge is another affair. Amber seizes the opportunity to really flex her considerable fashion historian muscles. It is done with such aplomb that you can’t help but develop a deeper respect for the history of fashion and the anthropological elements that are intrinsically entwined in how we dress and why. I am very much in awe of how much information has been included in what is essentially a fairly slim book. Make no mistake, it is a book for all ages and genders (plenty on tailoring and historical movements from both sides) that doesn’t pander to the superficial nature that can trail behind fashion like an insecure try-hard.
So, without boring you with my own meandering theory and musings – my opener was more of a long-festering jab to a certain eye – my verdict: a book that packs a punch and elevates the academic side to this topic. Economics, politics and of course, the arts all have their ties to fashion, making this an entertaining read that equally lends substantial gravitas to the subject area – there is a reason it made Dawn O’Porter feel clever. It is also great for dipping in and out of…or you can just stroke the linen cover and enjoy the illustrations by Penelope Beech. It may be aimed at the gift market but I would suggest it’s time to treat yourselves first.